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#11
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Add Kodak Brown to KRST?
"Dan Quinn" wrote in message om... "Mike" wrote I've googled this group and found numerous posts saying that KRST at 1:20 doesn't provide adequate archival protection because it won't tone the highlights. I think the silver in the highlight areas accepts selenium as readily as the silver in the shadow areas. If they are truly less archivaly protected then some other mechanism must be at work. I think it may be a purely precieved lack of tone rather than an actual non-reaction twixt the selenium and highlight silver. In other words, I'm not a subscriber to the "split tone" school from the chemistry's view point. Dan The difference has to do with the size of the grains. Finer grains have a larger surface to volume ratio than larger grains so there is more surface to work on. This seems to be at least part of the explanation. For some reason polysulfide toners, where the polysulfides are of higher orders, do not have this effect. Highly concentrated stocks have lots of high order polysulfides. Sulfiding toners of other kinds can produce split toning. For instance the old Hypo-Alum toner split tones. Indirect toner split tones but that is due to the effect of the bleach, not the toner. Both KBT and T-8 are concentrated enough to tone evenly when used for partial toning. Agfa Viradon is currently a simple polysulfide toner like KBT and has the same properties. I am not sure the simple addtion of sodium or potassium sulfide to KRST would cure its problems, maybe so, but I am not a good enough chemist to know. I am sure Dr. Nishimura, and his associates at IPI, must have thought of this. I will also point out, that from personal communication with Dr. Nishimura, that simple sulfiding is NOT as effective as gold toning with Kodak GP-2. GP-2 remains the standard of protection for microfilm. Diluted KRST was not better, just a lot cheaper. (I've resisted calling GP-2 the gold standard of protection, but I DID think of it). -- --- Richard Knoppow Los Angeles, CA, USA |
#12
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Add Kodak Brown to KRST?
"Francis A. Miniter" wrote
Hi Richard, I just re-read the article: Nishimura et al "Stabiality of Black-and-White Photographic Images, with Special Reference to Microfilm", Abbey Newsletter July 1988 vol 12 No. 5 The following are extracts I believe important. More of that article can be seen from Mr. Miniter's post. The entire article can be found via Google. "In any case, the surprising ineffectiveness of Kodak Rapid Selenium Toner, together with many other signs of the potency of sulfiding agents,..." "Once we had determined that the sulfiding ingredients were in fact responsible for most of the protection imparted by dilute selenium and gold toners, we began to explore ... at least one simple, extremely effective approach has been identified: the use of polysulfides ... even when used in quite dilute solution (1 part toner to 200 parts water)." "It is characteristic of the sulfiding approach that only a small amount of the sulfiding agent is needed. For example, sodium sulfide solutions of 0.1 grams per liter (about 1/100th of a percent) are completely effective." " ... completely effective." There it is, the 1:9,999 dilution I've mentioned. Contrary to Mr.Knoppow's assertion, Mr. Nishimura states that sodium sulfide does react with silver. "However, for reasons of diminished odor, toxicity of the bulk substance, and shelf life of the solution, the polysulfides are preferable in practice to straight sodium sulfide. ... The method of treatment is simple ..." Mr. Nishimura is likely speaking of 5 to 55 gallon drums. I've worked with sodium sulfide and never noticed any oder. I've used it in the sulfer for silver test to confirm complete fixing. Dan |
#13
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Add Kodak Brown to KRST?
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