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#41
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On 27 Apr 2005 15:05:36 -0700, "Scott W" wrote:
james wrote: In article , Alan Browne wrote: james wrote: I wonder how an 11x17 print from a digicam compares to an 11x17 from a Linhof (all in skilled hands), for instance, being subjected to 10x loupe scrutiny by a judge in a gallery competition? Meaningless. Meaningless in an aesthetic sense, but not in a technical one. Has digital photography converged on silver photography, or has it not? Here where I sit, it certainly has. But what about for medical, surveillance, and that sort of application? Medical is very rapidly converting to digital and I believe most surveillance did some years ago. In part because of the "portability" of digital and the extended infrared response of an unfiltered CCD. My Panasonic CCD surveillance camera (actually bought for astronomy) can see an entire room lit up by a couple infrared LEDs. -Rich |
#42
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"KO" wrote in message
... "Skip M" wrote in message news:YxLbe.1$6f3.0@fed1read07... "Musty" wrote in message ... snip The problem I have with the 20D is the lack of a true spotmeter that is linked to the focus point, and changeable. My A2 and 1n film cameras had spot meters that you linked to the focus point, whichever one you were using. So, if I was shooting a full length portrait, the end focus point, now the top one, often was right about the eye or forehead of the model. I could meter off of that, but with the 20D, I'm stuck with a much larger metering area that is linked only to the center focus point. It is probably the only thing that I'd change about the overall operation of the camera. ETT-L II is another, sore, subject... -- Skip Middleton http://www.shadowcatcherimagery.com At the risk of sounding too defensive of the 20D, my shooting is typically manual mode (will Av from time to time), so in this mode, I can point the middle-AF-point to the metering area of interest, then set my shutter/aperture and then recompose (for example metering of the sky) - this is fairly easy to do. I am just a hobby shooter, so I probably havent come across the case where I need one of my 9 AF points to be the meter (I can just as easily move the center point is what I am saying) - to say that the 20D cannot be improved would be naive, but for $1500 it is a damn fine camera. Oh, trust me, I like the camera, too. My wife and I both have one. But I got used to using the spot meter with my earlier film cameras. Focus and recompose can lead to focusing errors, though, if you're dealing with small depth of field, or subjects with varying planes. It's just an irritation, that a camera aimed at high level amateurs and low level pros doesn't have a spot meter, but a camera like the D70, aimed squarely at the amateur, has one. BTW, I find 9 focusing points to be overkill. The five, in a row, that my 1n and A2 have I found to be perfectly sufficient. The top and bottom ones (side ones on portrait orientation) I find to be superfluous. Not only that but the corner ones are quite hard to select with the joystick. You might try splitting AF from metering using cf4-1. Then all you need do is compose, focus, meter and shoot. This overcomes the possible focusing error with the focus-recompose technique. I've gotten pretty good with selecting the points with the joystick, but mainly as an exercise... -- Skip Middleton http://www.shadowcatcherimagery.com |
#43
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"Fyimo" wrote in message
oups.com... Skip, I totally agree with your two points. If the 20D had spot metering and a metering system that got flash exposure right I would be in love with my 20D. I like it a lot and get good results with it most of the time. These are the features I miss the most from my Canon 1N's as I shot most with the spot meter and I always got great flash pictures. If canon doesn't fix the flash exposure problem I probably won't upgrade when they replace the 20D. If they fix the flash exposure problem, add spot metering, and go to 10 or 12 MP I'll switch in a minute. Art I'm with you...My A2 did everything I wanted it too, my 1n just did it better... -- Skip Middleton http://www.shadowcatcherimagery.com |
#44
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Skip M wrote:
I've gotten pretty good with selecting the points with the joystick, but mainly as an exercise... Do you do that to music? -- -- r.p.e.35mm user resource: http://www.aliasimages.com/rpe35mmur.htm -- r.p.d.slr-systems: http://www.aliasimages.com/rpdslrsysur.htm -- [SI] gallery & rulz: http://www.pbase.com/shootin -- e-meil: Remove FreeLunch. |
#45
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"RichA" wrote in message ... Based on review after review, pitting this thing against everything in it's class, that is the impression I've gotten. I'd love to know how long it took Canon to develop it and how they decided to go with it's design and features. I don't own one, but it's almost like it is as close to perfect (for it's price) as a camera has ever been. The other day, I read a review that gave the Nikon D70 a "3 out of 5" for operations. The lowest I've seen the Canon score anywhere is 4/5 for anything, as subjective as that kind of a rating sounds. Canon also took the CMOS sensor, which people laughed at 10 years ago as vastly inferior to a CCD and turned it into the best common sensor in digital cameras, in terms of performance. Only some very expensive CCDs seem to offer better performance. One retailer told me it was the easiest camera to sell because no one questions anything but the price. When they do, he shows them the Rebel XT and the sale is made. -Rich If it had the metering and AF systems of the EOS 3 (similar to the 1Dmk2) it would be near my perfection ) |
#46
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"Alan Browne" wrote in message
... Skip M wrote: I've gotten pretty good with selecting the points with the joystick, but mainly as an exercise... Do you do that to music? Peter Gabriel's "Shock the Monkey..." ;-) -- Skip Middleton http://www.shadowcatcherimagery.com |
#47
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Skip M wrote:
"Alan Browne" wrote in message ... Skip M wrote: I've gotten pretty good with selecting the points with the joystick, but mainly as an exercise... Do you do that to music? Peter Gabriel's "Shock the Monkey..." ;-) Good 'un! ;-) -- -- r.p.e.35mm user resource: http://www.aliasimages.com/rpe35mmur.htm -- r.p.d.slr-systems: http://www.aliasimages.com/rpdslrsysur.htm -- [SI] gallery & rulz: http://www.pbase.com/shootin -- e-meil: Remove FreeLunch. |
#48
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On Tue, 26 Apr 2005 22:48:46 -0400, Alan Browne wrote:
To cap it, no DSLR, period, offers in camera stabilization other than the 7D. Cheers, Alan. Gee, Alan Browne. You called your camera better, now you are ****ed at the fact that others disagree with you. Whoopee for you - the Minolta has built in anti-shake. I guess we should all sell our Nikon and Canon **** to take pictures as good as yours? You are rapidly becoming a very big asshole on these groups. You probably won't see this message, because like the other big assholes you killfile everyone who sees right through your sticky pile of bull****. Too bad... -- "My beef about digital is that you see certain images out there, and things are so digital and retouched that you lose the person in the process - lose the rawness and the touchability because it is just too perfect." ~ Tony Duran |
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