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#81
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Gregory Blank wrote:
In article , LR Kalajainen wrote: It takes at least 24 hours of soaking before the brighteners begin to wash out. In prints left in water overnight from, say, 11 pm until 8 am, the brighteners aren't affected--- at least I've not been able to tell any difference visually. If you measure the Dmax, I can almost bet it will drop by at least .15 by soaking that long, Why would that be? I cannot believe water would dissolve out the silver. ....maybe not an issue as Tom Phillips previously stated regarding Glossy papers but Semi matte papers start out farther down the scale so a .15 drop is apparent to my eye with regard to them. -- .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 22:20:00 up 46 days, 6:37, 3 users, load average: 4.06, 4.14, 4.15 |
#82
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Jean-David Beyer wrote: LR Kalajainen wrote: It takes at least 24 hours of soaking before the brighteners begin to wash out. In prints left in water overnight from, say, 11 pm until 8 am, the brighteners aren't affected--- at least I've not been able to tell any difference visually. Brighteners begin to wash out right away, ... Just as well. The sooner they wash out the better. I recall reading that the brightener titanium dioxide contributes to peroxide production with attendent image degradation. I think whiteners are more used with RC papers. To easy to measure loss of whiteners for there to be any question. Dan |
#83
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No, I haven't read Henry's paper. I'll look for it.
I suspect that different manufacturers' papers act differently. I use Agfa MCC 111 and Ilford Warmtone glossy (occasional forays into Bergger) almost exclusively, and haven't had a problem. The temperature of standing water left in my darkroom after I'm finished remains at about 70 degrees when the outdoor temp is above 70 and at about 63 degrees when the outdoor temp is below 70. Hot water pipes running through the ceiling to other parts of the house keep the temp within a fairly limited range. Maybe my eyes are playing tricks on me, but when I take the prints out of the wash (even after an overnight soaking) and dry them on screens, they look the way I remember them looking after printing, except for the dry-down effect which I allow for. If brighteners begin to wash out at the rate of 30% in the first half hour as you suggest, then any washing method that's adequate is going to lose some brighteners. Makes me wonder just how important they are or whether the manufacturers build in a margin of superfluity. Jean-David Beyer wrote: LR Kalajainen wrote: It takes at least 24 hours of soaking before the brighteners begin to wash out. In prints left in water overnight from, say, 11 pm until 8 am, the brighteners aren't affected--- at least I've not been able to tell any difference visually. Well, you have not read the rearch of Dr. Richard Joseph Henry who tested various papers for brighteners being washed out. In his book, "Controls in Black and White Photography", second edition, pages 105-112, he shows graphs of brightener remaining vs. washing time for Brovira grade 3 and Ilfobrom grade 2, paper that had been fixed in either F24 (no hardener), or Kodafix (hardener). Whether the fixer contained a hardener did not make much difference. Brighteners begin to wash out right away, 30% or so in the first 1/2 hour. For Ilfobrom, 50% of the brightener was washed out in less than two hours, where it took about 12 hours to wash half the brightener from Brovira. He later tested Ilford Galerie using Ilford's recommended processing, Galerie's fluorescence was about 23% less than that of Ilfobrom. So the problem is quite real. Jean-David Beyer wrote: LR Kalajainen wrote: Still water washing with several changes of water and shuffling over several hours works just fine for FB prints; been doing it for years. I once forgot and left them in for three days and that soaked off the emulsion, but I when I'm finishing a print session just before bedtime, I frequently leave them in overnight with no ill effects at all. Other than washing out the brighteners, I assume you meant. |
#85
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LR Kalajainen wrote:
No, I haven't read Henry's paper. I'll look for it. I suspect that different manufacturers' papers act differently. I use Agfa MCC 111 and Ilford Warmtone glossy (occasional forays into Bergger) almost exclusively, and haven't had a problem. The temperature of standing water left in my darkroom after I'm finished remains at about 70 degrees when the outdoor temp is above 70 and at about 63 degrees when the outdoor temp is below 70. Hot water pipes running through the ceiling to other parts of the house keep the temp within a fairly limited range. Maybe my eyes are playing tricks on me, Eyes are remarkably good at playing tricks like that. That is why Dr. Henry used a reflectance photometer composed of a long wave ultraviolet lamp, and a Corning 3-73 filter over the detector to minimize overlap between the activation and fluorescent energies. but when I take the prints out of the wash (even after an overnight soaking) and dry them on screens, they look the way I remember them looking after printing, except for the dry-down effect which I allow for. If brighteners begin to wash out at the rate of 30% in the first half hour as you suggest, then any washing method that's adequate is going to lose some brighteners. Makes me wonder just how important they are or whether the manufacturers build in a margin of superfluity. Jean-David Beyer wrote: LR Kalajainen wrote: It takes at least 24 hours of soaking before the brighteners begin to wash out. In prints left in water overnight from, say, 11 pm until 8 am, the brighteners aren't affected--- at least I've not been able to tell any difference visually. Well, you have not read the rearch of Dr. Richard Joseph Henry who tested various papers for brighteners being washed out. In his book, "Controls in Black and White Photography", second edition, pages 105-112, he shows graphs of brightener remaining vs. washing time for Brovira grade 3 and Ilfobrom grade 2, paper that had been fixed in either F24 (no hardener), or Kodafix (hardener). Whether the fixer contained a hardener did not make much difference. Brighteners begin to wash out right away, 30% or so in the first 1/2 hour. For Ilfobrom, 50% of the brightener was washed out in less than two hours, where it took about 12 hours to wash half the brightener from Brovira. He later tested Ilford Galerie using Ilford's recommended processing, Galerie's fluorescence was about 23% less than that of Ilfobrom. So the problem is quite real. Jean-David Beyer wrote: LR Kalajainen wrote: Still water washing with several changes of water and shuffling over several hours works just fine for FB prints; been doing it for years. I once forgot and left them in for three days and that soaked off the emulsion, but I when I'm finishing a print session just before bedtime, I frequently leave them in overnight with no ill effects at all. Other than washing out the brighteners, I assume you meant. -- .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 07:30:00 up 46 days, 15:47, 3 users, load average: 4.32, 4.28, 4.15 |
#86
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In article ,
Jean-David Beyer wrote: As far as I know, the only B&W paper without brighteners is Kodabromide, and I do not know if it is made anymore. Its not. -- LF Website @ http://members.verizon.net/~gregoryblank "To announce that there must be no criticism of the President, or that we are to stand by the President, right or wrong, is not only unpatriotic and servile, but is morally treasonable to the American public."--Theodore Roosevelt, May 7, 1918 |
#87
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In article ,
Jean-David Beyer wrote: If you measure the Dmax, I can almost bet it will drop by at least .15 by soaking that long, Why would that be? I cannot believe water would dissolve out the silver. The only thing I can tell you is that I was testing paper for a long time along a specific set of criteria. I had data that indicated what the final Dmax should be for the paper emulsions I was testing, because the Dmax was low on multiple emulsions in several batches I was testing I had to try and figure out why they were low. The problem only corrected itself after I stopped leaving the paper soak for more than a few hours. All other test criteria were the same. -- LF Website @ http://members.verizon.net/~gregoryblank "To announce that there must be no criticism of the President, or that we are to stand by the President, right or wrong, is not only unpatriotic and servile, but is morally treasonable to the American public."--Theodore Roosevelt, May 7, 1918 |
#88
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"Jean-David Beyer" wrote in message
... Well, you have not read the rearch of Dr. Richard Joseph Henry [...] Brighteners begin to wash out right away, 30% or so in the first 1/2 hour. For Ilfobrom, 50% of the brightener was washed out in less than two hours, You are _the man_, Jean-David! I was keeping quiet because I had the impression that it was true. Thanks for the research and concern. |
#89
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The next time I get in the darkroom to print, I'll reprint several negs
that I've already printed and washed in an overnight soak. This time, I'll do them with multiple changes of water and shorter soaking times, so that the total doesn't exceed about 1 1/2 to 2 hours. Then I'll compare. If I see a difference in the brighteness of the highlights or a change in D-Max, I'll eat an appropriate amount of crow and will be thankful for having learned something. If I can't see a difference, (and I may ask others if they can see the difference also) then I'll figure that whatever the actual case may be, if you can't see it, it doesn't matter. Larry Gregory Blank wrote: In article , Jean-David Beyer wrote: If you measure the Dmax, I can almost bet it will drop by at least .15 by soaking that long, Why would that be? I cannot believe water would dissolve out the silver. The only thing I can tell you is that I was testing paper for a long time along a specific set of criteria. I had data that indicated what the final Dmax should be for the paper emulsions I was testing, because the Dmax was low on multiple emulsions in several batches I was testing I had to try and figure out why they were low. The problem only corrected itself after I stopped leaving the paper soak for more than a few hours. All other test criteria were the same. |
#90
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In article ,
LR Kalajainen wrote: The next time I get in the darkroom to print, I'll reprint several negs that I've already printed and washed in an overnight soak. This time, I'll do them with multiple changes of water and shorter soaking times, so that the total doesn't exceed about 1 1/2 to 2 hours. Then I'll compare. If I see a difference in the brighteness of the highlights or a change in D-Max, I'll eat an appropriate amount of crow and will be thankful for having learned something. If I can't see a difference, (and I may ask others if they can see the difference also) then I'll figure that whatever the actual case may be, if you can't see it, it doesn't matter. Larry You may only see a difference by using a densitometer. Especially if your testing is of glossy paper. -- LF Website @ http://members.verizon.net/~gregoryblank "To announce that there must be no criticism of the President, or that we are to stand by the President, right or wrong, is not only unpatriotic and servile, but is morally treasonable to the American public."--Theodore Roosevelt, May 7, 1918 |
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