If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. |
|
|
Thread Tools | Display Modes |
#21
|
|||
|
|||
Heavily cropped clip from D750
On Fri, 10 Jul 2015 20:55:32 -0700, Savageduck
wrote: On 2015-07-11 03:10:53 +0000, Eric Stevens said: On Fri, 10 Jul 2015 19:07:02 -0700, Savageduck wrote: On 2015-07-11 01:58:30 +0000, Eric Stevens said: On Fri, 10 Jul 2015 18:28:16 -0700, Savageduck wrote: On 2015-07-11 01:08:25 +0000, Bill W said: On Sat, 11 Jul 2015 12:41:46 +1200, Eric Stevens wrote: On the banks of the Danube: about 1/3 of the original vertically and 40% horizontally. https://dl.dropboxusercontent.com/u/...R--7500487.jpg You should be able to see a fishing line passing just over the heads of the fisherman. It's very clear, but is it just me, or does the photo have a blue cast to it? Color is something I've always had some problem with, so I'm curious what others think. There is reflection of the greenery off the water which is making some things a little on the yellow/green side, but there is nothing too alarming. I would make sure that there are good black and white points set. Then tweak the WB, preferably with a good neutral grey target. Fortunately that image is full of neutral grays. :-) Regardless, it is a nice scene and the line is visible. And the most succesful neutral gray that I eventually picked was the gadget leaning to the right as though bracing something to the right of the picture. It now has a yellow handle. Hmmm..., I would probably have gone with the middle stripe of the whiteish gizmo in front of the right side of the tent. The object on the right of the image doesnt look close to neutral to me, it seems to have a blueish tint. I tried the 'whiteish gizmo' and finished up with yellow-blueish what-not on the right. It all goes to show that choosing colour-balance entails arbitrary decisions. -- Regards, Eric Stevens |
#22
|
|||
|
|||
Heavily cropped clip from D750
On Fri, 10 Jul 2015 23:13:52 -0400, nospam
wrote: In article , Eric Stevens wrote: I now have to say that the first image undoubtedly had an excessive green tint. it did, leaning a little towards cyan. Apart from anything else, I find LR's 'Vibrance' tends to do that. no it doesn't. You will have to excuse me, but - I find LR's 'Vibrance' tends to do that. -- Regards, Eric Stevens |
#23
|
|||
|
|||
Heavily cropped clip from D750
On Fri, 10 Jul 2015 20:49:17 -0700, Savageduck wrote: On 2015-07-11 03:07:05 +0000, Eric Stevens said: On Fri, 10 Jul 2015 18:28:16 -0700, Savageduck wrote: On 2015-07-11 01:08:25 +0000, Bill W said: On Sat, 11 Jul 2015 12:41:46 +1200, Eric Stevens wrote: On the banks of the Danube: about 1/3 of the original vertically and 40% horizontally. https://dl.dropboxusercontent.com/u/...R--7500487.jpg You should be able to see a fishing line passing just over the heads of the fisherman. It's very clear, but is it just me, or does the photo have a blue cast to it? Color is something I've always had some problem with, so I'm curious what others think. There is reflection of the greenery off the water which is making some things a little on the yellow/green side, but there is nothing too alarming. I would make sure that there are good black and white points set. Then tweak the WB, preferably with a good neutral grey target. Here again is the original retitled -1. https://dl.dropboxusercontent.com/u/...-7500487-1.jpg Here I have found the only remotely gray pixel and used it to rebalance the color: https://dl.dropboxusercontent.com/u/...-7500487-2.jpg The initial effect was to cause the two fishermen to fade into the background so I have slightly tarted them up so as to make them a little more visible. I now have to say that the first image undoubtedly had an excessive green tint. Apart from anything else, I find LR's 'Vibrance' tends to do that. Depending on the scene, I find that many times if I push "Vibrance" to the right, I have to back off on "Saturation" a tad. I have an almost absolute limit of 10 for saturation. Isn't this stuff fun? -- Regards, Eric Stevens |
#24
|
|||
|
|||
Heavily cropped clip from D750
In article , Eric Stevens
wrote: Apart from anything else, I find LR's 'Vibrance' tends to do that. no it doesn't. You will have to excuse me, but - I find LR's 'Vibrance' tends to do that. something else is doing that. vibrance is a smart saturation control. it does not cause a colour cast. |
#25
|
|||
|
|||
Heavily cropped clip from D750
On 7/10/2015 8:41 PM, Eric Stevens wrote:
On the banks of the Danube: about 1/3 of the original vertically and 40% horizontally. https://dl.dropboxusercontent.com/u/...R--7500487.jpg You should be able to see a fishing line passing just over the heads of the fisherman. Error 404 -- PeterN |
#26
|
|||
|
|||
Heavily cropped clip from D750
On Sat, 11 Jul 2015 12:02:21 -0400, nospam
wrote: In article , Eric Stevens wrote: Apart from anything else, I find LR's 'Vibrance' tends to do that. no it doesn't. You will have to excuse me, but - I find LR's 'Vibrance' tends to do that. something else is doing that. More vibrance -- greenish tinge Less vibrance -- tinge goes away. Nothing else is being twiddled in the meantime. vibrance is a smart saturation control. it does not cause a colour cast. According to Jeff Schewe [The Digital Negative - p79]: "Vibrance is a hybrid of a normal color saturation adjustment, but it works in a nonlinear manner. Vibrance increases the saturation of less-saturated colors more than really saturated colors. This reduces the tendency for slamming highly saturated colors into oversaturation. A negative Vibrance reduces saturation, but it can't completely remove color to the point of being monochromatic grayscale. It gives an old faded look, which can be useful. Vibrance also is designed to respect skin color and avoid making skin look too ruddy red in color." So images full of unsaturated greenery will become more green if vibrance is increased. The photographs under discussion were filled with unsaturated greenery. The river reflected unsaturated green from the trees. The trees cast an unsaturated green light on all around them. Wind up the vibrance and up go all the greens. -- Regards, Eric Stevens |
#27
|
|||
|
|||
Heavily cropped clip from D750
On Sat, 11 Jul 2015 13:53:40 -0400, PeterN
wrote: On 7/10/2015 8:41 PM, Eric Stevens wrote: On the banks of the Danube: about 1/3 of the original vertically and 40% horizontally. https://dl.dropboxusercontent.com/u/...R--7500487.jpg You should be able to see a fishing line passing just over the heads of the fisherman. Error 404 It's now https://dl.dropboxusercontent.com/u/...-7500487-1.jpg -- Regards, Eric Stevens |
#28
|
|||
|
|||
Heavily cropped clip from D750
In article , Eric Stevens
wrote: Apart from anything else, I find LR's 'Vibrance' tends to do that. no it doesn't. You will have to excuse me, but - I find LR's 'Vibrance' tends to do that. something else is doing that. More vibrance -- greenish tinge Less vibrance -- tinge goes away. Nothing else is being twiddled in the meantime. the greenish tinge was there before. vibrance is a smart saturation control. it does not cause a colour cast. According to Jeff Schewe [The Digital Negative - p79]: "Vibrance is a hybrid of a normal color saturation adjustment, but it works in a nonlinear manner. Vibrance increases the saturation of less-saturated colors more than really saturated colors. This reduces the tendency for slamming highly saturated colors into oversaturation. A negative Vibrance reduces saturation, but it can't completely remove color to the point of being monochromatic grayscale. It gives an old faded look, which can be useful. Vibrance also is designed to respect skin color and avoid making skin look too ruddy red in color." nowhere does it say 'alter the colours towards green'. try vibrance on a photo of a red flower or a blue car. it won't turn things green. So images full of unsaturated greenery will become more green if vibrance is increased. The photographs under discussion were filled with unsaturated greenery. The river reflected unsaturated green from the trees. The trees cast an unsaturated green light on all around them. Wind up the vibrance and up go all the greens. in other words, the green was already there. |
#29
|
|||
|
|||
Heavily cropped clip from D750
On Sat, 11 Jul 2015 19:27:36 -0400, nospam
wrote: In article , Eric Stevens wrote: Apart from anything else, I find LR's 'Vibrance' tends to do that. no it doesn't. You will have to excuse me, but - I find LR's 'Vibrance' tends to do that. something else is doing that. More vibrance -- greenish tinge Less vibrance -- tinge goes away. Nothing else is being twiddled in the meantime. the greenish tinge was there before. vibrance is a smart saturation control. it does not cause a colour cast. According to Jeff Schewe [The Digital Negative - p79]: "Vibrance is a hybrid of a normal color saturation adjustment, but it works in a nonlinear manner. Vibrance increases the saturation of less-saturated colors more than really saturated colors. This reduces the tendency for slamming highly saturated colors into oversaturation. A negative Vibrance reduces saturation, but it can't completely remove color to the point of being monochromatic grayscale. It gives an old faded look, which can be useful. Vibrance also is designed to respect skin color and avoid making skin look too ruddy red in color." nowhere does it say 'alter the colours towards green'. try vibrance on a photo of a red flower or a blue car. it won't turn things green. So images full of unsaturated greenery will become more green if vibrance is increased. The photographs under discussion were filled with unsaturated greenery. The river reflected unsaturated green from the trees. The trees cast an unsaturated green light on all around them. Wind up the vibrance and up go all the greens. in other words, the green was already there. And turning up the vibrance will give (almost?) everything a green tinge. I should have made clear I was talking about photographs of the kind under discussion. -- Regards, Eric Stevens |
#30
|
|||
|
|||
Heavily cropped clip from D750
In article , Eric Stevens
wrote: So images full of unsaturated greenery will become more green if vibrance is increased. The photographs under discussion were filled with unsaturated greenery. The river reflected unsaturated green from the trees. The trees cast an unsaturated green light on all around them. Wind up the vibrance and up go all the greens. in other words, the green was already there. And turning up the vibrance will give (almost?) everything a green tinge. I should have made clear I was talking about photographs of the kind under discussion. only what is already green. if there was a red flower in the photo, it would not give it a green tinge. |
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Thread Starter | Forum | Replies | Last Post |
Another D750 experiment | Eric Stevens | Digital Photography | 13 | July 10th 15 04:03 AM |
D750 hand-held in poor light | Eric Stevens | Digital Photography | 22 | June 29th 15 01:38 AM |
Nikon's latest fascinating problem (the D750) | Usenet Account | Digital Photography | 4 | March 29th 15 02:01 AM |
Nikon D750 - Report from a fanboi | Eric Stevens | Digital Photography | 52 | March 11th 15 03:44 PM |
Heavily watched 4x5 going | johnboy | Large Format Equipment For Sale | 1 | May 26th 05 02:21 AM |